Georges Bernanos小說 // 所有情緒隨著結(jié)尾畫外音的落水聲和Monteverdi Vespers響起達(dá)到高潮，內(nèi)心的觸動(dòng)如水面漣漪久久不散。布列松一貫的對(duì)白少，演員表情克制，運(yùn)鏡樸素。Mouchette眼神和走路姿態(tài)會(huì)說話，前后鳥和兔子命運(yùn)的對(duì)比巧妙，社會(huì)的冷漠一覽無余。印象深刻的幾幕：游樂場M和男孩玩碰碰車時(shí)臉上洋溢的笑，悲慘生活里僅有的歡樂輕松時(shí)光；小木屋里，M托著偷獵者Arsène的頭，溫柔地用手絹擦去他嘴角的白沫，唱起被同學(xué)們嘲笑跑調(diào)的歌（明明很好聽）；用弟弟的干凈尿布擦滿臉淚痕；雜貨店里倔強(qiáng)的把面包扔掉；落入陷阱的小鳥奮力掙扎最后被解救放飛；兔子在不斷槍聲中疾奔，被打中的一只拼命掙扎逃生可惜最終倒下；裹著被撕成條的白裙一次次的從山丘滾下。
蕭。:121.76.54.8
難以置信的平庸無聊，《別夜》封神了尷尬到腳趾抓地
阿莜:222.18.207.47
Masterpiece hitting softly! Czech new wave is no joke - pun intended, and no gulag for me. M. Forman, J. Jires & co... and then there's THIS. An almost plotless, experimental & highly feminine (not to be re-interpreted as feminist) mess, in which we follow two Manic Pixie Dream Girls go absolutely nuts. Not sure if angels or demons, but absolutely adorable. The feeling of pure freedom emanating from the characters, embedded in artsy & dreamlike environments/situation, whether the duo is wrecking havoc or simply posing, conjures a charm rarely witnessed: the illusion of the "anything is possible".
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